Deirdre Thurston's collection of essays and short stories is a delightful escape for summer reading. A combination of universal themes of friendship, love and loss, guilt and memories overlaid with a strong dose of New Zealand phraseology takes the reader down familiar paths that often end with an unusual twist.
"Love Story," a nostalgic memory of a grandmother, is triggered by an elderly couple who sit next to the narrator in a movie theater. From the way the woman is dressed to the scent of talc, the narrator indulges is a series of memories, often wondering if the woman sitting near her has similar memories.
"Mae" takes the reader into a family tragedy where a child dies in a hot bath. Here the narrator faces guilt at the loss of her younger sister. Events from decades earlier still color the narrator's memory of that dreadful day.
"Ali" brings two best friends together to catch up on their lives. One is married, a bit dumpy and settled; the other is oft-married, elegant and in love with a long-distance trucker.
Painful memories of birthdays past where narrators don't receive recognition or gifts they want. Celebrations of a daughter turning twenty-one. A longing to learn to ride a bike when the narrator thinks she's too old and plump. Each story, each essay is a small gem waiting for you to find and polish it.
Thoughts on writing, book reviews, guest bloggers who are writers, and other writing-related musings. Check out my novel, Mad Max Unintended Consequences, on Amazon (http://amzn.to/16wZr4d )
Showing posts with label Short Stories. Show all posts
Showing posts with label Short Stories. Show all posts
Tuesday, June 3, 2014
Tuesday, October 2, 2012
Book Review: What the Zhang Boys Know by Clifford Garstang
If you are looking for a different experience in fiction, I invite you to read What the Zhang Boys Know, a novel in stories by Clifford Garstang. Twelve interlocking stories, each one capable of standing alone, weave a story about a disparate group of characters who inhabit Nanking Mansion, a semi-gentrified building in a marginal area of Washington, D.C.
We first meet Zhang Feng-qi, widowed father of two boys under six in "Nanking Mansion." Faced with losing his boys to his pushy mother-in-law who doesn't really want them, he brings his father from China to take care of them. The boys, Simon and Wesley, teach their grandfather about life in the United States, while he teaches them about their heritage. The boys are our conduit to everyone in their building, from the sculptor, to a minor poet, to a painter and an interior designer, thereby providing a link between the tales of each of the characters.
The setting is everything, just as it is in classic movies like Grand Hotel. People of different strata in society come together, interweave their stories, and move on. The gay couple lose one of their pugs when one is mugged. The dog's loss leads to a break up of the long-running couple, who eventually get back together by the end of the book.
The boys learn about "Hunger" after Claudia lives on dried noodles and sells off her few valuable belongings. They watch their grandfather deliver soup to help her stay healthy through her pregnancy.
The second to last story, "The Replacement Wife," illustrates cultural clashes and familial needs in a way that is almost painful. Feng-qi loves Jessica, a Chinese-American woman facing a hysterectomy. Her fears about the operation and its aftermath render her mute in front of Feng-qi. With no one to talk to, Jessica has an affair with a writer in the building. Feng-qi finds out about the affair and is willing to forgive her and marry her. Jessica has an epiphany about becoming Feng-qi's replacement wife. She believes Feng-qi is looking for a surrogate for his dead wife, someone to help him raise his boys. She's right. Jessica doesn't want to be a surrogate for anyone and leaves for Paris with the writer. You'll have to read the story to understand the irony of the situation.
Garstang's prose is poetic. His grasp on cultural norms and misunderstandings brings the reader to tears and chuckles, often in the same paragraph. Although there is no consistent plot, each story stands alone and also drives forward sketches of the characters who inhabit Nanking Mansion. A wonderful read. Well worth the time. You'll want to finish it in one sitting, but sip it. Read a story, think about it, then go on to the next. You'll be glad you did.
We first meet Zhang Feng-qi, widowed father of two boys under six in "Nanking Mansion." Faced with losing his boys to his pushy mother-in-law who doesn't really want them, he brings his father from China to take care of them. The boys, Simon and Wesley, teach their grandfather about life in the United States, while he teaches them about their heritage. The boys are our conduit to everyone in their building, from the sculptor, to a minor poet, to a painter and an interior designer, thereby providing a link between the tales of each of the characters.
The setting is everything, just as it is in classic movies like Grand Hotel. People of different strata in society come together, interweave their stories, and move on. The gay couple lose one of their pugs when one is mugged. The dog's loss leads to a break up of the long-running couple, who eventually get back together by the end of the book.
The boys learn about "Hunger" after Claudia lives on dried noodles and sells off her few valuable belongings. They watch their grandfather deliver soup to help her stay healthy through her pregnancy.
The second to last story, "The Replacement Wife," illustrates cultural clashes and familial needs in a way that is almost painful. Feng-qi loves Jessica, a Chinese-American woman facing a hysterectomy. Her fears about the operation and its aftermath render her mute in front of Feng-qi. With no one to talk to, Jessica has an affair with a writer in the building. Feng-qi finds out about the affair and is willing to forgive her and marry her. Jessica has an epiphany about becoming Feng-qi's replacement wife. She believes Feng-qi is looking for a surrogate for his dead wife, someone to help him raise his boys. She's right. Jessica doesn't want to be a surrogate for anyone and leaves for Paris with the writer. You'll have to read the story to understand the irony of the situation.
Garstang's prose is poetic. His grasp on cultural norms and misunderstandings brings the reader to tears and chuckles, often in the same paragraph. Although there is no consistent plot, each story stands alone and also drives forward sketches of the characters who inhabit Nanking Mansion. A wonderful read. Well worth the time. You'll want to finish it in one sitting, but sip it. Read a story, think about it, then go on to the next. You'll be glad you did.
Wednesday, September 19, 2012
Book Review: Miracle Boy and Other Stories by Pinckney Benedict
Pinckney Benedict's Miracle Boy and Other Stories is a collection of short stories that holds nothing sacred except the written word. With his roots in Appalachian culture, Benedict draws on an unusual cast of characters for his stories.
From the opening title story about a young boy whose feet are severed in a tractor accident, the reader knows he's under the control of a master short story writer. A simple tale of a boy with reattached feet who is bullied in school by three classmates, "Miracle Boy" is about one of the bullies rather than the boy with reattached feet. One of the bullies throws miracle boy's shoes over power lines, special shoes he needs to walk as nearly normally as possible. Over the weeks, the shoes hang on the power lines, thereby causing the bully pangs of conscience. The resolution is heart-warming without being sappy. Benedict wouldn't know how to write a sappy ending if his life depended on it.
Move from "Miracle Boy" to "Bridge of Sighs," and you move from one microcosm to another. In "Bridge," an epidemic swept through the rural highlands killing cattle, sheep and pigs. Poultry barns went up in flames with all the birds inside. A young boy watches his father and an extermination man discuss the number of cattle that should be in a barn. Four are missing. The boy sneaks away to where the missing cattle are hidden. After the cattle in the barn are shot, the extermination man follows the boy into the wilderness. In a show of kindness, the extermination man determines the hidden cattle are healthy. He does not shoot them.
And then there's "Zog-19: A Scientific Romance." Zog-19 is a metallic alien who has been sent to earth to learn our customs. He replaces a farmer, almost fools the farmer's wife into thinking nothing is wrong, and struggles with the customs. Zog-19's planet is failing. He is sent to see if Earth will be a good colony. While Zog-19 learns Earth's customs, a space ship lands on Zog. The astronauts discover a planet made of metal with a core of a sentient gas that makes their spaceship travel farther and faster. Mining the gas from the planet seems like the only logical thing to do. Unfortunately, all Zog residents have the same gas inside their metal bodies. Before long, there are few residents on Zog. The planet is dead. Zog-19 isn't.
Benedict's language is strong, almost muscular, yet it is strangely poetic. He takes out his magnifying glass and examines humanity and the hardscrabble lives his characters survive. His stories are best when Pinckney is being Pinckney, letting go of whatever conventions that might restrain him. Fourteen stories, each a gem, combine to present a necklace of images both unexpected and exciting.
From the opening title story about a young boy whose feet are severed in a tractor accident, the reader knows he's under the control of a master short story writer. A simple tale of a boy with reattached feet who is bullied in school by three classmates, "Miracle Boy" is about one of the bullies rather than the boy with reattached feet. One of the bullies throws miracle boy's shoes over power lines, special shoes he needs to walk as nearly normally as possible. Over the weeks, the shoes hang on the power lines, thereby causing the bully pangs of conscience. The resolution is heart-warming without being sappy. Benedict wouldn't know how to write a sappy ending if his life depended on it.
Move from "Miracle Boy" to "Bridge of Sighs," and you move from one microcosm to another. In "Bridge," an epidemic swept through the rural highlands killing cattle, sheep and pigs. Poultry barns went up in flames with all the birds inside. A young boy watches his father and an extermination man discuss the number of cattle that should be in a barn. Four are missing. The boy sneaks away to where the missing cattle are hidden. After the cattle in the barn are shot, the extermination man follows the boy into the wilderness. In a show of kindness, the extermination man determines the hidden cattle are healthy. He does not shoot them.
And then there's "Zog-19: A Scientific Romance." Zog-19 is a metallic alien who has been sent to earth to learn our customs. He replaces a farmer, almost fools the farmer's wife into thinking nothing is wrong, and struggles with the customs. Zog-19's planet is failing. He is sent to see if Earth will be a good colony. While Zog-19 learns Earth's customs, a space ship lands on Zog. The astronauts discover a planet made of metal with a core of a sentient gas that makes their spaceship travel farther and faster. Mining the gas from the planet seems like the only logical thing to do. Unfortunately, all Zog residents have the same gas inside their metal bodies. Before long, there are few residents on Zog. The planet is dead. Zog-19 isn't.
Benedict's language is strong, almost muscular, yet it is strangely poetic. He takes out his magnifying glass and examines humanity and the hardscrabble lives his characters survive. His stories are best when Pinckney is being Pinckney, letting go of whatever conventions that might restrain him. Fourteen stories, each a gem, combine to present a necklace of images both unexpected and exciting.
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