Friday, June 26, 2015

Storyboards and Living Documents

Hi all,

I'm reblogging a great post on Sue Coletta's crime writing blog. Craig Boyack talks about using outlines, storyboards and photo repositories to inspire his stories.  Hope you enjoy this.

Storyboards and Living Documents

Things are crazy right now for me, working with my editor and setting up a new computer — all these foreign keys make me feel like I’ve never used a computer before — but I didn’t want to leave you flat. Hearing my tales of woe, friend and fellow writer Craig Boyack sprang into action. Some of you are familiar with his site Entertaining Stories, where he shares some of the best short stories and flash fiction I’ve ever read, along with various other topics. If you get a chance stop by and say hello. While you’re there browse his Idea Mill — great fodder for creativity.
All yours, Craig!
When Sue asked me if I’d do a guest post I was ecstatic. Then it dawned on me that many of her readers are probably crime writers. I write speculative fiction; what the heck can I bring to crime writers?
Crime happens in speculative fiction too. It’s mostly in paranormal and science fiction, but fantasy isn’t immune. We tend to gloss over it, and build worlds that get more focus.
Then it dawned on me, writer is also part of the title. I can talk about writing. I tend to see things a bit differently than most, so I do things differently too. I’m going to mention some of them in this post.
will o' whisp
I’m an unashamed outliner. I like three act structure, but I use a storyboard for my outline. There are index cards for the beginning and end of each act, the rest get filled in as I brainstorm my story. I like this method, because I can add photos, maps, sticky notes and all kinds of things. It’s possible to get pretty elaborate with projected word count, plants and payoffs, pinch points, and more.
I don’t always get that elaborate, but I like the method. A different writer might adopt the heroes journey, or fairy tale structure to a storyboard. To tell the truth, I snipe from these all the time too.
I don’t use a physical storyboard. Turns out there’s an app for that. I can take my storyboard with me on my iPad.
I also use direct feeds like my RSS reader and something called Zite Magazine. These work by subscribing to content I like and the Internet sends me data. A writer has to get ideas from somewhere. Many of my coolest story elements came to me this way.
Zite is particularly fun, because it’s smart. When I first subscribe to a category, it sends me everything it can find. As an example, when I set up a category called “voodoo” I got articles about doughnuts, beer, Jimmy Hendrix, and more. Zite lets me give articles a thumb up or down. It corrects over time and now it’s all about mojo hands and dolls with pins.
I’m sure an enterprising crime writer could do something similar. When I get enough fun ones, I post something I call The Idea Mill. My blog followers seem to really enjoy those posts. I have enough right now for the next one.
The last thing I’ll mention is living documents. I keep living documents for various reasons. Writing advice is everywhere today, and it all gets a bit repetitive. Sometimes there is a real gem posted. When I get these, the data gets summarized in my living documents. My memory isn’t what it used to be.
I keep documents about editing, writing tips, cryptids, and fantasy. There are very brief notes about the villain’s journey, Pixar secrets, and the tidbits that help me in my projects. Most of these are helpful on the editing passes. I have a whole page on suspense tips.
Sue has something similar called “50 ways to murder your fictional character.” If she were to add to it on occasion, it would be a living document. (Note from Sue: I’ve been adding. I’ll send an update once there’s enough new information to make it worthwhile.)
I hope I’ve provided at least one nugget you can take home with you today. Looking at things differently might help you create a major hit one day.
I would be remiss if I didn’t mention that I have book I’m promoting right now. That’s part and parcel for guest posts. It’s called Will O’ the Wisp, and I think it’s my best so far. Here’s a little blurb:
There is something evil up Bergamot Holler, and it’s been targeting the Hall family for generations.
Patty Hall is fifteen years old. She loves stargazing, science fiction, and all things related to space exploration. This leaves her perfectly prepared for the wrong problem.
Patty is afraid her mother will send her to a care facility if she tells her what she’s seen. If she doesn’t figure things out soon, she’s going to join her father in the Hall family cemetery plot.
Patty has to come to grips with her own physical handicap, survive the wilderness, and face an ancient evil all alone if she’s going to survive.
Will O’ the Wisp is suitable for young adults. It involves strong elements of suspense, and is set in the mid 1970s.
Here are the Amazon links:
Northern American Continent
Thank you, Sue, for having me over today. It’s a real pleasure.
Craig Boyack
No man ever wetted clay and then left it, as if there would be bricks by chance and fortune. – Plutarch
Check out my novels here:

Friday, June 19, 2015

Book Review: Eyes of the Innocent by Brad Parks

Eyes of the Innocent (Carter Ross Mystery #2)Eyes of the Innocent by Brad Parks

My rating: 4 of 5 stars

Brad Parks delivers a character as funny as Stephanie Plum. Carter Ross, investigative reporter at the Newark Eagle-Examiner, shows up at a house fire where two boys died. At first he thinks this is a tragedy, two kids home alone, single mother working to put food on the table. He meets the boys' mother who should be a professional storyteller for all the lies she tells.

When Ross is assigned a perky, blond intern nicknamed Sweet Thang, he hands her a research project to check out the truth of the woman's story. It unravels just before the paper is to go to press with the heart-tugging story. Ross tries to stop it, because Sweet Thang has uncovered some of the woman's lies.

The complete story becomes so delicious that Ross can't stop investigating. Add the disappearance of a city councilman, rumors of corruption in house flipping and downright hilarious political corruption, and you have a book that will keep you turning pages until the last one. And then you'll want more.

To be transparent, I know Brad Parks. I know he's funny, profane, zany -- just like his main character. So, is Carter Ross really a thinly disguised Brad Parks? You'll have to ask him. My money is on "yes."

Tuesday, June 16, 2015

Author Interview with Michael Murphy

This originally appeared in the SplashesIntoBooks blog.

Author Interview: Michael Murphy

Michael MurphyMichael Murphy is the author of the superb ‘Jake and Laura’ mystery series of novels and kindly agreed to be interviewed for my blog. His books in this series include:
1: The Yankee Club
2: All that Glitter
3: Wings in the Dark
The Yankee clubAll that GlittersWings in the Dark_Murphy
On July 18th, 2015 further information about these books will be available as part of the blog tour celebrating the release of‘Wings in the Dark’ by clicking here
Where did you get the inspiration for the series?
One day I noticed Turner Classic Movies was having a Thin Man marathon. My wife and I sat down and watched the first, then the second. I’d seen most of the movies years earlier but this time I focused on the interaction between William Powell and Myrna Loy; the humor, romance and sex appeal of a likable couple. It wasn’t the stories that drove the movie series, but that interaction between characters. I decided I wanted to create two characters with that same dynamic interaction. I hope I’ve succeeded with Jake and Laura.
What is your writing process?
My process has evolved over the years when I started out as a write by the seat of your pants kind of author. With a series, it’s necessary to organize the process since what happens to the characters in the first book impacts the characters in the second and so on. I started with detailed character studies of all major and secondary characters and I construct a chapter outline before I begin. Once I start, however, as long as I haven’t contradicted anything that’s happened before, I exercise enough freedom to tweak the plot by adding additional characters or conflict.
Do you write using pen and paper or on a computer?
When I’m writing, I use a computer and a legal pad for notes. However I learned early on that the most important tool for creating fiction is the sub-conscious. The creative part happens when I’m on a treadmill, driving, or sleeping. Ideas pop into my conscious so writing it down on a computer is really just a mechanical process, secondary to the creative process from my subconscious.
Who is your favourite character out of your stories and why?
Although I like Jake and Laura very much, secondary characters are more fun for me to write, especially sidekicks. Gino Santoro, in The Yankee Club, is that kind of guy, a scoundrel, quick with a joke, a guy who really who drinks too much and can’t commit to women. It might be unlikable, if he wasn’t such a nice guy.
If you were a character in your story, which would you like to be?
I’d like to be Jake Donovan. He’s smart, analytical, totally in love with one woman (like me), brave and resourceful and willing to use his fists when necessary (unlike me.)
How and why did you choose the names for your main characters?
No one’s ever asked me this question before, and I don’t think I’ve ever told anyone this, but most of the names for my male leads often come from old John Wayne movies. By now, you probably know I’m a big fan of old movies. The Duke (Wayne) was always strong, tough and fair. His characters had names like Jake (Jacob McCandles) in Big Jake, Taw Jackson in The War Wagon and Cole Thornton in El Dorado. If my main character is strong, tough and fair, I want readers to picture them that way with a strong name. I often give secondary characters somewhat quirky names, like Gino. How did I name Laura? I just liked the name; had a classic Hollywood sound to it.